Tintin and the fascists

The boy reporter has a fascist origin. But something new is possible.

As a child, I freaking adored Tintin, the Belgian comic strip about a boy detective and his little white dog, Snowy. There was something intoxicating about the mix: international adventures, a growing cast of recurring characters, conspiracies, humor, hi jinx. Even the ligne claire style of drawing — cartoonish figures on more realistic, epic backgrounds — lent themselves to a feeling of scale. It heavily informed my childhood imagination, far more than other comics might have. I was into the French Asterix comics as well as American Marvel and DC offerings, but Tintin was the real deal.

Of course, it was also hyper-colonialist, and the early entries in particular are quite racist, although as a seven and eight year old, I didn’t really pick up on those threads. Tintin in the Congo goes exactly as you might expect a Belgian strip about the Democratic Republic of the Congo written in the 1930s (when it was fully under extraordinarily harsh Belgian colonial control) to go. The Shooting Star ‘s villain was originally an evil Jewish industrialist, and the story (written in 1941–2) even carries water for the Axis powers and originally contained a parody of the idea that fascism could be a threat to Europe. That, too, went completely over my head.